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2017-2018 Sunday S2 Subscription

ALICE TULLY HALL : Sun 12/3/17 5:00PM - Sun 5/20/18 5:00PM

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A collection of 7 Sunday evening concerts in Alice Tully Hall.


BAROQUE COLLECTION Sunday, December 3, 2017 5:00PM   ·   More Info »
BAROQUE COLLECTION

French elegance, Italian vitality, and German tradition combine for a concert of Baroque fireworks. The first “age of virtuosity” is brought to life by a roster of truly virtuoso artists.

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BRAHMS & DVORAK Sunday, January 28, 2018 5:00PM   ·   More Info »
BRAHMS & DVORAK

The musical and personal friendship between Brahms and Dvorák is the stuff of legend. This pairing brings to life the creative energy that reverberated between the German neo-classicist and the champion of Czech folk music, producing a glowing array of classical music’s most essential works.

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THE ROARING TWENTIES Sunday, March 4, 2018 5:00PM   ·   More Info »
THE ROARING TWENTIES

As the Western world turned giddy with 1920s post-war optimism, composers fed the cultural fires with an astonishing array of newly-conceived musical ideas. Gershwin painted his Parisian experience with a piano duo, Janácek confessed his secret passions in a string quartet, and Korngold released a torrent of post-romantic music that would find its way to Hollywood’s biggest screens.

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23rd OF JANUARY, 1825 Sunday, March 18, 2018 5:00PM   ·   More Info »
23rd OF JANUARY, 1825

CMS’s Winter Festival celebrates the dawn of chamber music concert life, with four programs performed in Vienna in the 1820s.

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SCHUMANN QUARTET Sunday, April 29, 2018 5:00PM   ·   More Info »
SCHUMANN QUARTET

April’s second all-string quartet program features Germany’s stunning Schumann Quartet. The CMS Two ensemble, which features three siblings, presents a program not only of indispensable favorites but also an intriguing contemporary tribute to Robert Schumann, by the masterful Berlin composer Aribert Reimann.

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CONCERTO NIGHT! Sunday, May 20, 2018 5:00PM   ·   More Info »
CONCERTO NIGHT!

Since the Baroque era, concertos have mined the technical capabilities of both instrument and performer, increasing in difficulty and spectacle through the ages. CMS’s season finale is designed simply to dazzle and delight, a lasting reminder of the thrilling possibilities of chamber music.

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